- SPLIT TRACK INTO MONO PRO TOOLS SHORTCUTS SOFTWARE
- SPLIT TRACK INTO MONO PRO TOOLS SHORTCUTS WINDOWS
The default is top to bottom, meaning each clip starts from the same time and new tracks are created for every new clip. Timeline Drop Order allows the user to change what happens when dragging multiple clips from the Clips List to the timeline. Going straight to the timeline might seem like the obvious choice, because that's where you ultimately want the clips to end up however, going via the Clips List lets you add them to the timeline in stages, and with additional options, courtesy of the last item on the Clips List drop-down menu, accessed from the round button with the downward-facing disclosure triangle. I mention this because many people overlook the option of importing to the Clips List when importing media. This choice applies both to clips imported using the import dialogue and anything dragged and dropped from Finder/Exporer or from a Workspace browser. When importing audio or MIDI into Sessions, you have the choice to import it either to the Clips List or to new tracks, which are automatically created on the timeline. There isn't a modifier to choose mono or stereo. If there's no precursor to follow, the new track will default to stereo. Adding Command (or Ctrl on a PC) will create an audio track, adding Ctrl (Windows: Start) will create an auxiliary track, Shift creates a master track and Alt creates an instrument track.Īll of these double-click shortcuts follow the channel format (mono, stereo and so on) of the previously created track.
SPLIT TRACK INTO MONO PRO TOOLS SHORTCUTS WINDOWS
Since Pro Tools 11, double-clicking on empty space in either the Edit or Mix windows will create a new track of the same type and width as the last new track created in the Session. If you are in a real hurry, or are creating additional tracks mid-Session, you can also take advantage of a family of track-creation operations based around double-clicking with the mouse.
If you are an iPad user and you haven't yet checked it out I strongly recommend it, particularly if your pockets aren't deep enough for an S6! In the Soft Keys section on page 136 (accessible directly from page 1) we find the familiar parameters from the New Tracks dialogue, which is automatically opened when accessing this page. The most accessible entry point into Eucon is the excellent PT|Control app on iOS.
For those of us still using Diginet-based control surfaces such as the D-Control and D-Command, the same shortcuts translate directly onto these surfaces too, and although the current Eucon-based surfaces offer direct access to Pro Tools functions thanks to their deep integration with the software, the convention as laid out in the New Tracks dialogue is still there. Command+Alt+up arrow/down arrow: track timebase (ticks or samples)įamiliarity with this family of shortcuts makes track creation extremely fast, and Track Presets - which we'll discuss later - can also be accessed from the Track Type menu.
Command+left arrow/right arrow: track format.Command+up arrow/down arrow: track type.Command+Shift+up arrow/down arrow: new row.Command+Shift+N: open New Tracks dialogue.To populate your session with all the tracks needed in a single operation, use the following shortcuts (Windows users should substitute Ctrl for Command): This is not necessary, and as creating tracks is something you are going to do in every Session you create, it's probably worth learning to navigate it without using the mouse. Many people revisit this dialogue repeatedly to create a single track type at a time, reopening it each time a different track type is created. Ring In The NewĪ natural place to start is the New Tracks dialogue, accessed from the Track menu or using the shortcut Command+Shift+N (Ctrl+Shift+N on Windows). This can be carried out manually in several ways, while tracks also get created automatically when media or Session data is imported. A classic example in Pro Tools is the creation of tracks within a Session. This could also be seen as a frustration, though, and it probably means that some of us get into the habit of doing things in ways that are not as efficient as they might be.
SPLIT TRACK INTO MONO PRO TOOLS SHORTCUTS SOFTWARE
One of the fascinating things about DAW software is that there are often many ways to achieve a particular result. There are many ways to set up Pro Tools tracks, and not all of them are created equal! The New Tracks dialogue can be persuaded to create multiple tracks of different types in one go, without needing the mouse
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